Top Ten Tuesday is an original weekly meme feature created at The Broke and the Bookish. We’d love to share our lists with other bookish folks and would LOVE to see your top ten lists. For the list of past topics and future schedule, click here.
FREEBIE – January 2017 Buzz Books
This week is a FREEBIE week to choose any topic we want. Since I couldn’t think of anything off the top of my head to write about, I relied on Goodreads for inspiration.
The Girl BeforeThe Girl Before – Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating.
The Most Dangerous Place on Earth – In an idyllic community of wealthy California families, new teacher Molly Nicoll becomes intrigued by the hidden lives of her privileged students. Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents’ expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible.
Behind Her Eyes – Louise is a single mom, a secretary, stuck in a modern-day rut. On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.
When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise. And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?
As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.
Everything You Want Me to Be – Reconstruction of a year in the life of a dangerously mesmerizing young woman, during which a small town’s darkest secrets come to the forefront…and she inches closer and closer to her death.
High school senior Hattie Hoffman has spent her whole life playing many parts: the good student, the good daughter, the good citizen. When she’s found brutally stabbed to death on the opening night of her high school play, the tragedy rips through the fabric of her small town community. Local sheriff Del Goodman, a family friend of the Hoffmans, vows to find her killer, but trying to solve her murder yields more questions than answers. It seems that Hattie’s acting talents ran far beyond the stage. Told from three points of view—Del, Hattie, and the new English teacher whose marriage is crumbling—Everything You Want Me to Be weaves the story of Hattie’s last school year and the events that drew her ever closer to her death.
Her Every FearHer Every Fear – Growing up, Kate Priddy was always a bit neurotic, experiencing momentary bouts of anxiety that exploded into full-blown panic attacks after an ex-boyfriend kidnapped her and nearly ended her life. When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.
Soon after her arrival at Corbin’s grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey’s. Alan saw Corbin surreptitiously come and go from Audrey’s place, yet he’s denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman’s old boyfriend, who insists Corbin did the deed the night that he left for London.
When she reaches out to her cousin, he proclaims his innocence and calms her nerves–until she comes across disturbing objects hidden in the apartment and accidentally learns that Corbin is not where he says he is. Could Corbin be a killer? What about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn’t sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself, so how could she take the chance on a stranger she’s just met?
Difficult Women – The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the marriage of one of them. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July.
Lillian Boxfish Takes a Walk – It’s the last day of 1984, and 85-year-old Lillian Boxfish is about to take a walk. As she traverses a grittier Manhattan, a city anxious after an attack by a still-at-large subway vigilante, she encounters bartenders, bodega clerks, chauffeurs, security guards, bohemians, criminals, children, parents, and parents-to-be—in surprising moments of generosity and grace. While she strolls, Lillian recalls a long and eventful life that included a brief reign as the highest-paid advertising woman in America—a career cut short by marriage, motherhood, divorce, and a breakdown.
Huck Out West – At the end of Mark Twain’s Huckleberry Finn, on the eve of the Civil War, Huck and Tom Sawyer decide to escape “sivilization” and “light out for the Territory.” In Robert Coover’s Huck Out West, also “wrote by Huck,” the boys do just that, riding for the famous but short-lived Pony Express, then working as scouts for both sides in the war.
They are suddenly separated when Tom decides he’d rather own civilization than leave it, returning east with his new wife, Becky Thatcher, to learn the law from her father. Huck, abandoned and “dreadful lonely,” hires himself out to “whosoever.” He rides shotgun on coaches, wrangles horses on a Chisholm Trail cattle drive, joins a gang of bandits, guides wagon trains, gets dragged into U.S. Army massacres, and suffers a series of romantic and barroom misadventures.
He is eventually drawn into a Lakota tribe by a young brave, Eeteh, an inventive teller of Coyote tales who “was having about the same kind of trouble with his tribe as I was having with mine.” There is an army colonel who wants to hang Huck and destroy Eeteh’s tribe, so they’re both on the run, finding themselves ultimately in the Black Hills just ahead of the 1876 Gold Rush.
Happy Hour Stories – Combining hard-edged prose and savage Southern charm, Mary Miller showcases transcendent contemporary talent at its best. With its collection of lusty, lazy, hard-drinking characters forever in their own way, Always Happy Hour confirms Miller as an heir apparent to Mary Gaitskill.
Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places—a dilapidated foster home where love is a liability, a trailer park laden with a history of bad decisions, and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust, and proves yet again her essential role in American fiction.
Did any catch your eye? What books are you looking forward to this year?